Философия

The article is devoted to the consideration of the features of the philosophical worldview of S. N. Bulgakov – a representative of Russian religious philosophy of the turn of the XIX – early XX centuries in the context of the cultural and historical and socio-political realities of the time and the established traditions, trends characteristic of Russian philosophy. On the whole, the understanding of the philosopher’s philosophical creativity is not possible without knowing the main coordinates of his worldview.

The article explores the unique, but scantily investigated in Russian sophiology, concept of Sophia the Wisdom of God as “a Wife clothed with the sun”. According to the Bible, the first Sophia’s witness was The God Himself and his Prophets, on which all Russian sophiologists accentuated their attention. Religious mystical experience of sophiologists is the important determinant for acknowledgement of Sophia image.

War as a complex social phenomenon can be analyzed from different perspectives: it appears as a socio-political phenomenon, as a civilizational, as an existential one. Importantly on war-man, so war is perceived not only on level facts, but and in the form of way of, which represents complex views about it, including and assessment of events, and assessment of enemy, and own image. In the structure of the image of the war, the author highlights the foretypes, synchro and prototyping.

In the article the author considers cognitive interest as a problem of cognition that deals with a subjective side analysis of cognitive activity. The article represents the problem of cognition and interest correlation worked by J. Habermas. Cognitive interest is regarded as a unigue personal relation to the world. There had been regarding the definition of «cognitive interest» and defining the characteristic features of cognitive interest. The subject has both theoretical and practical importance. 

The confession is one of the important elements of the literature or cultural memory. The processes of transformation and replacement of many traditional concepts are clearly observed in the frame of modern culturological science. These facts are interconnected with certain changes in the methods and objects of an academic research in the set of human sciences.

This article is about the investigation of temporological foundations of the philosophical conception of Taoism. The main religions and philosophical treatises of Taoism are under analysis in this aspect. Tao and Te are interpreted as two fundamental Temporological characteristics. Tao defines the temporology of the event of realizing of being, and Te defines the temporology of presence of already realized being.

In  this  article  is  investigated  the  problem  of  a  parity  of  true  and  creativity.  It  is  shown,  that  interpretation  of  true  depends  on  character  of  understanding  and  realization  of  a  principle  of  freedom  which  mastering  is  a  necessary  condition  of  development  of  creative  potential  at  the  person. 

The author proposes to examine a culture space as principally dual and composed of antagonistic opposition of ascetic and humanistic types. That dualism of culture is discovered through fundamental dualism of man itself, simultaneously belonged both to the world of nature, necessity and to the world of freedom, transcendental world.

This article is dedicated to research of processing modeling possibility. Structures of values are most important premise for making of creative model, and freedom is most important notion for creation’s analyzing. The author explores criterions of creation and use for his analysis of main categories of creation exploring resources of postclassic thinking.

The article focuses on aesthetic property of work of art, that is «miserable destiny» of aesthetic. From all humanities the aesthetic like theoretic branch of science one that force their object by «miserable» manner: groundless synthesize them. This strategy of mind is conscious avoidance of «meeting» with this proper object.