философия культуры

В статье выделены и охарактеризованы основные визуальные 
стратегии модерна и постмодерна, влияние этих стратегий на 
трансформации культурных идентичностей. Проанализированы 
ряд  основных  визуальных  стратегий  модерна:  1)  Паноптикон, 
его  реализация  в  Кристалл-Паласе,  2)  гигантская  башня,  ее 
реализация  в  Эйфелевой  башне,  небоскребах,  3)  стратегия 
поиска Возвышенного в визуальном образе. На основе прове-
денного анализа делается вывод о том, что в модерне проис-

This paper explores an operationalization of the concepts for contemporary Russian society. Drawing on theoretical frameworks of some concepts such as postmodernism, consumer society, post-industrial society the authors operationalize them. Our findings suggest that contemporary Russian society has a wide range of definitions. It is defined as post-historic, network or information society, postmodern society, etc. The set of different concepts represents Russian society and makes a definitions confusion. Such definitions should be applicable to modern Russian society.

The article discloses the relationship of economic methodological approaches. Kondratieff with new methodological ideas of the philosophy of technology within the general philosophical and cultural context of modern science. The idea of a cycle in the philosophy of technology and its connection with the Kondratiev cycles is considered by the method of comparison and search for analogies. It is shown that economic cycles are repetitive in character and the same cycles are characteristic of the technosphere.

In article the analysis of studying of a category time in a context of the philosophical analysis of culture is made. Methodological possibilities of studying of concept "culture time" are designated.

In article cardinal principles of conception of the Russian culture essential development by the domestic scientist K.D. Kavelin are stated. He proves historical development by active subject position of the person. In the given statement the accent is made on the following objects: history, law, morals.

The article is devoted to the conceptualization of the phenomenon of culture. We set the task. There are the analysis of culture as a philosophical phenomenon firstly, the comprehension of culture from the point of view of methodological innovation in the context of philosophical reflection secondly in this task. We were concluded that the culture is not sufficiently integrated into philosophical discourse at the present time on the basis of the analysis.

The article is devoted to the social ontological analysis of culture in its anthropological reflection. The problem field of the ontology of culture initially involves the process of anthropogenesis. We are talking about the consideration of the origin of human society and culture with the help of the comparative-historical method of genealogy, aimed at identifying the origins and beginnings of human existence. The specificity of the philosophical method of Friedrich Nietzsche’s genealogy is considered.