искусство

В  статье  анализируется  влияние  психоаналитических  кон-
цепций  на  рациональные  и  иррациональные  формы  художе-
ственного творчества в XX в., отражение взглядов различных 
психоаналитических  школ  в  психологическом  романе,  сюр-
реализме,  массовой  культуре.  Разнообразие  воздействия 
психоанализа  на  художников  объясняется  его  двойственно-
стью,  так  как  он  включает  рациональные  и  иррациональные 
аспекты.  Как  следствие,  художники  использовали  в  своем 

Статья  посвящена  воздействию  научно-технических  достиже-
ний  начала  XX  в.  на  авангардное  искусство.  Прослеживаются 
основные  направления  влияния  науки  на  авангард:  прежде 
всего, это заимствование художниками анализа и синтеза как 
ведущего творческого метода. «Художественная материя» под-
вергалась разложению на простейшие элементы, свойства ко-
торых детально исследовались и демонстрировались публике, 
затем из элементов синтезировалось новое произведение, тем 

In the article briefly lighted up and analyzed some aspects of development
of artistic creation, depending on the spiritual state of
artist. The author contends that any work of art captures a spiritual
state of the artist at the time of its creation. Basically, any creation
captures and reflects not only the spiritual state of «creator» during
the creation of work of art, but his spiritual intentionality. Therefore,
there is always a kind of spiritual seal on the result of creation. The

In the article «Art in intellectual aerial of the modern society» is produced trial of the inspecting art as the one of the factors which is directing development of the society. The factors lost their meanings. Appealing to the moment of the appearing of the creating efforts of the human, the author does the conclusion that those efforts appeared on the special basis of the attitude human with the world.

The article is devoted to the consideration of the ontological status of the atmosphere, conditions and qualities that contribute to the formation of atmospheric effects. The semantic line of the text is a spatial dimension of the atmosphere, which is connected, first of all, with the unique spaces of art, set by the sensual modalities of being as presence and event. It is important to emphasize that the basic layer of these experiences marks the richness of life contact with the world.

The article analyzes the interaction of creativity and tradition in times of crisis situations in culture. The author took as a basis the crisis situation in culture during the twentieth century in connection with the development of a new artistic trend of modernity, which tried to destroy the canonical foundations in art. The crisis in the culture of the twentieth century was considered on the basis of the analysis of the concepts of O. Spengler, H. Ortega-i-Gasset, V. Weidle, P. Sorokin, and J. Huizinga.

This article is devoted to analysis of dialogic dimensions of art as an essential phenomenon in artistic experience of contemporary man. The concept of «dialogue» is analyzed to be the fundamental principle of the relation of a person with art. The concept of «artistic reflection» is considered as a key to problem of the dialogic interpretation of artistic work. Phenomenon of artistic dialogue is interpreting here as a unity of individual and common in artistic experience.

This article it devoted to cultural-philosophical analysis of a phenomenon of art avant-garde and its role in the sociocultural space of modern society. The questions of the status of the artist creating in the conditions of the ambiguous modern art are carried out. Interrelations of external parameters of sociocultural reality and dynamics of development of the modern art under the influence and in interaction with these parameters are analyzed. 

Introduction. In the modern world, the problem of the purpose of art remains relevant due to the emergence of various forms of non-classical art. Modernism and postmodernism differ from classical art, therefore it is inappropriate to transfer the purpose of classical art to these movements without a deep analysis. It seems reasonable for the analysis of non-classical art to consider it through the spectacles of Russian religious philosophy. Theoretical analysis.