historical memory

Introduction. The article investigates the specifics of cinematic images of the USSR in Russian myth-making practice. The main objective of the study is to analyze the impact of images of the Soviet past, created and broadcast by post-Soviet cinema, on the formation of historical memory about the USSR. Theoretical analysis. The study is based on the hypothesis that cinema is one of the significant aspects of myth-making, which directly participates in the construction of collective representations of the past.

Introduction. The work is aimed at revealing the dialectical relationship between the sense of conscience and historical memory, the conditionality of both by the dominant ideals of culture. Theoretical analysis. Using a psychoanalytic approach and the method of critical philosophical reflection, the author focuses on the conditionality of the cognition of history, and at the same time historical memory, by the restrictive framework of conscience, set by the specific orientation of an individual to the ideals of culture. Empirical analysis.

War as a complex social phenomenon can be analyzed from different perspectives: it appears as a socio-political phenomenon, as a civilizational, as an existential one. Importantly on war-man, so war is perceived not only on level facts, but and in the form of way of, which represents complex views about it, including and assessment of events, and assessment of enemy, and own image. In the structure of the image of the war, the author highlights the foretypes, synchro and prototyping.

The article raises the problem of the possibility of creating a digital philosophy of history. The initial thesis of the work states the fact of the crisis of the traditional philosophy of history, the absence of meta-narratives which introduce global historiosophical concepts, and the unsuitability of the existing categorial apparatus for describing the realities of the digital world.

The article presents the process of cultural development as a continuous activity, in which the values are produced by the marketed value relevant to the world. Existential human self-determination through the material and the natural environment is shown in creating cultural forms: objects, images, concepts, relations, traditions, characters.

Introduction. The article is devoted to the study of the problem of the production of historical knowledge in the digital age. The author believes that historical science, existing in the paradigm of «Digital Humanities», has acquired a new object of cognition – collective memory, abandoning the study of the past as a non-existent reality in favor of the study of ideas about it. In the multi-channel communication process, the formation of socio-epistemic arenas brings historical knowledge and historical memory together. Theoretical analysis.

Introduction. The relevance of the problem of humanizing the continuity of the social reorganization of modern society on the basis of the idea of recreating the USSR in students' mind is due to rapid changes in the political climate and many challenges of our time that require prompt and immediate solutions. Theoretical analysis. The purpose of the article is to reveal the process of updating the worldview of students on the basis of humanistic identification in the process of interaction of the social progress and regression.

Introduction. The article is devoted to the study of the representation of the image of the USSR in foreign and domestic video games. The main purpose of the study is to examine the specifics of the impact of video games on the historical memory of the Soviet past. Theoretical analysis. The study was based on the hypothesis that video games in the conditions of mediatization and digitalization of public consciousness turn into one of the significant factors in the formation of historical memory.