ПУСТОТА

The causes and methods of an explication of concepts «nothingness», «vacuum», «non-existence» in minimalism and conceptualism art are parsed. The bases of a lack-aesthetics are considered. It is supposed, that in modern art conceptualism and minimalism appear as syncretic derivations, thanks to plural re-using of a subject and a mode nothingness.

The aim of this work is to determine the features of the development of concepts of space and time in philosophy and science that could in the future perspective reveal the principles of transformation of the philosophical categories in the categories of science. In the article is analyzed the content of the categories of space and time in the classical philosophy and science. The author considers the basic ontological concepts of the Renaissance and Early modern period, compares and analyzes the characteristics of the models of space and time.