The article provides the analysis of the significance of digital revolution for technoculture, inspired by the scientism of the modern era. An ontological status of digital code is the purpose of this research. The approach is focused on the role of computer interface in optical media history (F. Kittler), along with the understanding of «picture of the world» (M. Heidegger), within computer image review (F. Kramel, M. Fuller).
