In this article the notion of the Eco's scriptorium through the theoretical and art comprehension of the semiotic systems is explicated. Author assumed that in the Eco's concept, the phenomenon of the scriptorium correlates with the one of the labyrinth which are related
to three levels of discourse. The concept of the scriptorium is distinguished by a creative and culturally constructive potential of the system which opposes the spatial, textual and ontological levels of the labyrinth structure.
