русская философия

The article is devoted to the work of the Russian revolutionary, writer and Marxist theorist V. I. Zasulich. The subject of consideration is the historical and philosophical views of the thinker, which are analyzed on the basis of her study devoted to the work of J.-J. Rousseau – “Jean-Jacques Rousseau. The experience of characteristics of his social ideas”, which previously remained almost without the attention of researchers. The purpose of the work is to analyze the basic principles of the approach of V. I.

The paper understands the image of Sophia as the eternal feminine in the concept of V. S. Solovyov, analyzes the preconditions for emergence of the image, and also examines the role of femininity in the context of development of Russian religious philosophy. Sophia can exist in two main forms, the created and the uncreated that makes the key issue in analysis of Solovyov’s philosophical views the understanding that both forms of Sofia are relevant only to the world, separated from God.

In article the concepts of «self», stated in works of N. Lossky, S. Franc and L. Lopatin are critically considered. Arguments against the idea of transcendence of «self» in relation to the phenomenal content of the consciousness, contained in N. Lossky and S. Frank’s works, are stated. The position of L. Lopatin, assuming immanence of the «self» to consciousness contents, is supported.

Introduction. The article is devoted to the work of a Russian revolutionary, writer and Marxist theorist V. I. Zasulich. The subject of consideration is the historical and philosophical views of the thinker, which are analyzed on the basis of her work on modern idealism and one of its brightest representatives – F. Nietzsche. The purpose of the work is to analyze V. I. Zasulich’s ideas about the philosophy of F. Nietzsche. Theoretical analysis. The works of V. I.

Introduction. In the modern world, the problem of the purpose of art remains relevant due to the emergence of various forms of non-classical art. Modernism and postmodernism differ from classical art, therefore it is inappropriate to transfer the purpose of classical art to these movements without a deep analysis. It seems reasonable for the analysis of non-classical art to consider it through the spectacles of Russian religious philosophy. Theoretical analysis.