Nietzsche

The article is devoted to the analysis of the artistic-figurative objectification of the idea of the Overman in M. Gorky‘s literary works. The study addresses the problem of Gorky’s Nietzscheanism, his receptive dialogue with F. Nietzsche’s philosophy and the semantic development of the Ubermensch concept. The aim of the work is to identify the forms of artistic embodiment of the Overman idea and the peculiarities of its semantic interpretation in typical characters of Gorky’s early works.

The article is devoted to the social ontological analysis of culture in its anthropological reflection. The problem field of the ontology of culture initially involves the process of anthropogenesis. We are talking about the consideration of the origin of human society and culture with the help of the comparative-historical method of genealogy, aimed at identifying the origins and beginnings of human existence. The specificity of the philosophical method of Friedrich Nietzsche’s genealogy is considered.

The article deals with the investigation of the question of Nietzsche’s understanding of historicity of the stages of nihilist formation. The author examines the tendency of the positioning of formation of the essence which is distinctive for Nietzsche’s and Heidegger’s ontological historicism. Special attention is devoted to comparison of the hermeneutics of nihilist formation in the ontological discourse of Heidegger and Derrida.