The article considers the problem of myth in the late works of Jean Baudrillard, which go far beyond the postmodern paradigm of thinking. It is shown that the development of the work of the French thinker was dictated by the logic of breakthrough, which forms a peculiar dialectic of “meetings” and “partings,” where a meeting with the postmodern myth of simulation meant breaking up with the myth of the scientific, and breaking up with the postmodern myth, in turn, meant a transition to new horizons of understanding the mythological component of modernity.
