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In the paper an attempt is taken to comprehend a man’s world through philosophical method of phenomenology. It’s about the unity of phenomenology and philosophy of life in their ontological meaning. This approach helps search for a man’s place in the world, it helps comprehend life processes, and define values and landmarks. E. Husserl’s conception of «the vital world» is considered to become a true standard to follow. It is disclosed through the contraposition with «the world of science».

The paper reports outcomes of a theoretical reflection of art as a world of experience within a phenomenological approach framework. The paper alleges that by means of art it is possible to comprehend the Other and to recognize oneself within various social contexts. The paper demonstrates that by means of communicative practices art unfolds essential facets of the Other, expands meaningful horizons of a subjects reflexive experience field, and constructs a new model of a personal identity.

The article considers the problem of psychology of literary creative work of L. N. Tolstoy; the main scientific and psychological approaches to the analysis of literary works. In the work of consistently carried out a theoretical analysis of psychology of creativity L. N. Tolstoy, an empirical study of social-psychological perceptions of student’s youth about the writer’s work. Identified the main components of «psychological realism» creativity L. N.

The article deals with the modern methodological approaches to the study of subjective well-being of the person: description of the phenomenon, its regulatory and functional manifestations of a systemic position, structural system, the subject, the subject-existential and meta-system approaches. The hypothetical idea of subjective well-being as a meta-system level of integration of subjective relations: cognitive, emotional, connotative (behavioral) sub-systems, each of which has its own structural organization and content are discussed.